Inter | Sectionality: Diaspora Art from the Creole City is a bold, multidisciplinary curatorial collaboration and exploration of the emergence of the “Creole City” as a local, regional and global phenomenon. Internationally recognized curators Sanjit Sethi, President, Minneapolis College of Art and Design and former director of the Corcoran School of the Arts and Design, and Rosie Gordon-Wallace, founder and curator of Diaspora Vibe Cultural Arts Incubator (DVCAI), have designed this collaboration to provide a lens through which communities and community leaders internationally can begin to better understand themselves, their diversity and their unlimited possibilities.

Inter | Sectionality: Diaspora Art from the Creole City is presented in our nation’s capital at a time when diaspora artists and voices are challenging social justice, celebrating identities, and reactivating and bridging communities through contemporary art and scholarship. The complexities and diversities represented by this exhibit are emergent and, in many cases, ascendant across the world.

Exhibited Works: “Cross-Cultural Trap” and “Growth of Industry”

Inter | Sectionality: Diaspora Art from the Creole City is a bold, multidisciplinary curatorial collaboration and exploration of the emergence of the “Creole City” as a local, regional and global phenomenon. Internationally recognized curators Sanjit Sethi, President, Minneapolis College of Art and Design and former director of the Corcoran School of the Arts and Design, and Rosie Gordon-Wallace, founder and curator of Diaspora Vibe Cultural Arts Incubator (DVCAI), have designed this collaboration to provide a lens through which communities and community leaders internationally can begin to better understand themselves, their diversity and their unlimited possibilities.

Inter | Sectionality: Diaspora Art from the Creole City is presented in our nation’s capital at a time when diaspora artists and voices are challenging social justice, celebrating identities, and reactivating and bridging communities through contemporary art and scholarship. The complexities and diversities represented by this exhibit are emergent and, in many cases, ascendant across the world.

Exhibited Work(s): “Cross-Cultural Trap” and “Growth of Industry”  

For SCOPE Miami Beach 2019 during Miami Art Week (Art Basel),  ART LEXING presents a selection of contemporary works by artists and designers including Christopher Carter (USA), Elvin Nabizade (Azerbaijan), Erick Meyerberg (Mexico), Reza Shafahi (Iran), Studio HVN (The Netherlands), and Wang Xiaojin (China).

Christopher Carter’s carved wood sculpture titled “Abacas” was selected for display.

Inter | Sectionality: Diaspora Art from the Creole City is a bold, multidisciplinary curatorial collaboration and exploration of the emergence of the “Creole City” as a local, regional and global phenomenon. Internationally recognized curators Sanjit Sethi, President, Minneapolis College of Art and Design and former director of the Corcoran School of the Arts and Design, and Rosie Gordon-Wallace, founder and curator of Diaspora Vibe Cultural Arts Incubator (DVCAI), have designed this collaboration to provide a lens through which communities and community leaders internationally can begin to better understand themselves, their diversity and their unlimited possibilities.

Inter | Sectionality: Diaspora Art from the Creole City is presented in our nation’s capital at a time when diaspora artists and voices are challenging social justice, celebrating identities, and reactivating and bridging communities through contemporary art and scholarship. The complexities and diversities represented by this exhibit are emergent and, in many cases, ascendant across the world.

Exhibited Works: “Cross-Cultural Trap” and “Growth of Industry”  

Presented by The Miami Museum of Contemporary Art of the African Diaspora (Miami MoCAAD)

An exploration of identity and diaspora through artistic practice, a pop-up exhibition of painting, photography, sculpture, and drawings that explore the American, Cuban, Dominican, Haitian and Jamaican cultures. 

Exhibited Works: “The Bronze Buoy”, “Blow-Out Comb”, and “Growth of Industry”.

Prizm is the producer of a cutting-edge platform that is multidisciplinary in scope.  Our goal is to expand the spectrum of exhibiting international artists from Africa, the African diaspora and emerging markets, who reflect global trends in contemporary art.  

Exhibited Works: “Cross-Cultural Trap” sculpture and “Genome Strand” installation (pictured right).

The Patricia & Phillip Frost Art Museum FIU kicked off its 10th-anniversary celebrations with the premiere of “Deconstruction: A Reordering of Life, Politics and Art”, featuring the work of twelve Miami artists: Eddie Arroyo, Zachary Balber, Frida Baranek, Christopher Carter, Leyden Rodriguez-Casanova, Yanira Collado, Gonzalo Fuenmayor, Pepe Mar, Glexis Novoa, Sandra Ramos, Jamilah Sabur and Frances Trombly. 

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Exhibited Work: “Cross-Cultural Trap”

"Tethered to the Cradle: Kinetic Work" by Sculptor Christopher Carter is an exhibition, curated by Aria Gannon, of ready-made forms that draw on the artist's experiences and memories of adolescence. Carter is a contemporary American artist and sculptor of African American, American Indian, and European descent.